Though measured as a small independent film, Flower is an undoubted showcase platform for the soaring talent of Zooey Deutch. Clad in her plain tank-tops and empowering a character with all kinds of obscene confidence, not even the worst behaviors on display can take away the magnetism of her frank and jarring performance. For most of the film, she shines repulsiveness with unmatched charisma.
Read MoreStanley Tucci is a cinematic treasure of sarcasm. What that man can shell out in a throwaway line, a raised eyebrow, or a pause of bated breath is on another level to most of his peers and contemporaries. When Stanley cranks that mockery up with profanity, it only gets sharper. It would take quite the rug pull to disrupt that man’s mojo. Tucci meets that tumultuous turmoil in Submission
Read MoreHot damn, you know your satire is magma-level hot when you offend the powers-that-be of a country enough to ban your film from playing on their soil. Labeled as “extremist” and a “provocation” enough to spark tabloid headlines like “the film Hitler could have made,” Armando Iannucci’s The Death of Stalin wears a giant badge of pride next to a tiny medallion of shame on its cinematic uniform on being banned in four nations: Russia, Kyrgyzstan, Azerbaijan, and Kazakhstan.
Read MoreThe melodramatic preposterousness of Colors of the Wind is two-fold. The first layer is good old-fashioned stage magic, everything from card tricks to disappearing acts. The second comes from the notion of doppelgangers, the fanciful term for doubles, ghostly counterparts, and alter egos that have been a storytelling trope before in film. Both elements create spirited and soapy intrigue in the film when combined with the romantic destiny of star-crossed lovers.
Read MoreMany internal and external situations can cause feelings of desperation. Straits get so dire that horrible choices become the only choices. For Angie in Beauty Mark, played by emerging TV actress Auden Thornton, the burdensome weights (and they are sure plural) around her neck are overbearing. When those burdens and stresses pile on at the same time, the desperation of her situation becomes overwhelming in this excellent and hardscrabble family drama from writer-director Harris Doran.
Read MoreUnderneath the on-screen actions in director Mark Sobol’s dynamic short film The Photographer, the motif of voyeurism is dissected from a presented theory. A male narrator orates an internal monologue opening on the notion “a subject is so much more beautiful when it doesn’t know its being watched.” Assigning beauty to a moment that is not the observer’s to share in begs a few life lessons.
Read MoreIn what has become an annual day-after-hangover and post-Oscars tradition, I have this editorial that closes the book on one awards season and declares the next one open for competition. Each year, I pull out the crystal ball and look into the murky future to prognosticate which films coming in 2018 will we be applauding for at this time next year for the 91st Academy Awards. Here are 19 films to watch for the 2019 Oscars.
Read MoreNow entering its thirteenth year, the Beloit International Film Festival, hosted across the “Cheddar Curtain” border in Wisconsin, is no slouch of a gathering for film lovers. For ten days, the organizers, backers, and lucky audience members have the pleasure of discovering over 100 national and international films of all genres. The visiting filmmakers are welcomed by full venues and eager audiences looking to share the love of independent filmmaking. I honored to have absentee press access to the BIFF and it’s my pleasure to share reviews of its highlighted films.
Read MoreWith each year of PR and press access, I’ve been diving deeper to experience more and more of what this art form and entertainment source has to offer. For the second year in a row and on the heels of the Oscars putting a bow on all things 2017, I wanted to share a list of personal recommendations of hidden gems from last year. Even these 17 are but drops in a larger bucket. There so many little gems that I have yet to see.
Read MoreConstantly bucking stereotypes made about the perceived flaws of the Second City, the progressive and affluent enclave of Rogers Park statistically contains the highest level of racial diversity in Chicago. It is as great a place as any in the urban metropolis to tell a blended story of the hardened hearts within hard-working people. A blanketing sunrise over the freshwater surf of that aforementioned Great Lakes welcomes viewers to Rogers Park.
Read MoreTogether at The Century Bar of the Landmark Century Centre Cinema, fellow CIFCC critic Jeff York and I critiqued the ten short films nominated for the 90th Academy Awards for Best Live Action Short Film and Best Animated Short on the "Page 2 Screen" bost on the International Screenwriters' Association network. Both categories of contenders boasted impressive range and buried treasure. Enjoy our reviews and discussion!
Read MoreAudiences will need to go beyond “brave” to describe and complement the shattering performance of Daniela Vega starring in A Fantastic Woman. Searing the screen with moments of serenading song and ever-present fortitude, the openly transgender Chilean actress and model seethes with uncommon determination. Saying “good for her” is not enough praise.
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