For James Mangold’s sterling sports film, take your thesaurus toolbox and dump out all the synonym wrenches for the word “hubris.” This is a thrilling race of arrogance as much as it is one of high-performance automobiles. The acts of vanity, audacity, chutzpah, conceit, cockiness, insolence, nerve, pomposity, and exceptionalism fill every metallic and non-metallic element. All of this tuned-up and torqued testosterone makes for a one hell of an entertaining show.
Read MoreThis new film is a wise and modest update to one of Disney’s best romances of its Silver Age. By utilizing actual dogs, many of which are rescued pets at that, with a mild computerized varnish, feels more tangible than fake in one of these Disney re-imaginings for the first time in a long time. This restraint of creative prudence is what defines its humble disposition and winning achievements. All year long, its mainstream blockbuster peers tried every costly artificial and technological height to be a blaring chorus of bells and whistles, when all that was really needed were some cute, real animals backed often by a swanky band.
Read MoreOne does not have to dig very far on an internet search to find pressing current issues in American’s public education system. In an eye-opening and apropos way, there are so many that Education Week magazine maintains an active A-Z list to sort and track them. You could sing “The Alphabet Song” and ring a bell on just about every letter for matching examples from the real-life inspiration of Miss Virginia chronicling the emergence of school advocate Virginia Walden Ford.
Read MoreAs a school teacher by day beyond this role as a film critic, let me say that there can never be enough messages sent about the troubling epidemic of bullying. All are necessary. All are helpful. We need every personal testimonial. We need every pamphlet. We need every artistic measure of expression that can gather attention, provoke thoughts, and change a few hearts. The Chicago-made short film Loyalty from filmmaker Ira Childs is one of those necessary contributions. The short recently played at the 25th Black Harvest Film Festival at the Siskel Center.
Read MoreHistory and popularity have been kind to Brian De Palma’s crime movie achievement. The American Film Institute nominated the movie in five categories (Movies, Thrills, Hero, Villain, Film Score, and Gangster Film) during its “100 Years” series last decade. Then and now, The Untouchables earned a city’s pride and spurred new popularity to the Capone legend. Its success also fueled a star’s rise (Costner), secured another’s lasting legacy (Connery), and reminded audiences just how sharply talented its steward was. Once the end credits hit and Morricone plays us all out, you can also feel Brian De Palma channeling tough-guy Jimmy Malone with a “here endeth the lesson.” The hitmaker never lost his edge.
Read MoreThere is a fine line when using the verb “titillate.” Broadly, the word can simply mean “excite” or “thrill.” Taken more seriously, the word sharpens closer to “arouse” or “stimulate.” Context, ahem, is key. Auggie, the feature directorial debut of actor Matt Kane, walks that fine line of titillation and deftly blurs where to place its context on that line. This shrewd and stellar work creates a viewing effect in Auggie that tantalizingly bounces your comfort level between intimacy and voyeurism. This moral rattler deserves attention and praise as indie gem.
Read MoreThat throbbing level of staggering aura occurring parallel to poignant familial intimacy in Ad Astra is remarkably captivating. This is an accomplishment of contemplative science fiction that is felt in your core as much as it pours wonderment in your eyes. The high concept space opera vibes and the melancholic musings have been stretched and exploited further in other cinematic offerings within this fictional discipline. Nevertheless, the sharpness of execution here is something to behold with plenty of profundity to absorb and impress.
Read MoreHell no, you don’t have to be a superfan of Springsteen to enjoy Blinded by the Light, but it sure helps. Even if The Boss is not your ideal vibe, the sprightly emotions on-screen cannot help but target and trigger your own matching passionate feelings for whatever you revere that answers the questions of Lesson #1. Following the affable and lovingly-composed musical worship recently achieved by Yesterday earlier this summer, welcome to your next toe-tapping crowd pleaser to close the summer of 2019.
Read MoreArriving on home media this week from Disney and Marvel Studios is their colossal blockbuster coda Avengers: Endgame starring everyone who’s everyone from the collective Marvel Cinematic Universe that has been built with tidy and patient blueprints since 2008. Time travel tropes aside, you couldn’t have asked for a better swan song of satisfaction than this big finish. Watch for it arriving in physical media form on store shelves Tuesday, August 13th after an extremely successful theatrical run. This is a pretty customary disc release, and one has to think Disney has something more complete, expansive, and expensive planned someday.
Read MoreWhen Medium Cool reaches its history-witnessing climax at the 1968 Democratic National Convention protests in Chicago, two crowd chants take over the urban soundscape. The first is a defiant “Hell no! We won’t go!” and the second is “The world is watching.” The observant cameras and microphones used by filmmaker Haskell Wexler preserved that spirited defiance for cinematic immortality. Fifty years after its release, the echoes of those unified shouts in Medium Cool still ring with relevance and importance today. We’re not going anywhere, and people still fix their eyes on this film with shock and awe.
Read MoreStar Wars fans will quickly have their sensors triggered when they note the title of this short film from Charlotte Barrett and Sean Fallon. It is a nod to a running gag that is said as often in Star Wars films as the classic line “May the Force be with you.” The phrase alludes to a character’s audible dread and the heebie-jeebies warning of something awful, visible or invisible, on their horizon. The characters in those movie moments say it and mean it. In A Bad Feeling, the husband and wife central figures know their trouble, entirely feel it, but don’t announce their fears when they should.
Read MoreThe expression “heart in the right place” is normally used as a smallish complement to counteract some obvious flaw or as a baseline pleasantry when something does not achieve its goal fully. Albert Dabah’s intensely personal independent film Extra Innings carries that expression with neither of those dismissive caveats. Its heart is indeed in the right place, with that position being right next to its soul. That soul is wearing cleats, a ball cap, a weathered glove, and a stirrup-ed uniform patrolling the grasses of center field on a baseball diamond on a sunny summer day.
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