n concisely thematic way, the award-winning short film The Prince, written and directed by Kyra Zagorsky, is a moving artistic interpretation of one of those such moments. It indeed has a thought-provoking story to tell, and the result creates a resonating effect in short order, the chief goal of a good short film. The Prince’s key to accomplishing its depth is the twin layers it uses to portray and describe its moment.
Read MoreThe finest horror films have concepts that tap into elemental fears not just in shocking ways, but in engaging ones as well. They find entertainment value in the gripping suspense and provoked panic that tingle our inseparable fight-or-flight human instincts wired to our senses. Surprises are easy, but building lasting reverberation from those sensations is the challenge. John Krasinski’s directorial debut, A Quiet Place, chooses to strike our sense of hearing, combining a slick creature-feature with a chamber piece of deadly silence that immerses the audience in compelling thrills.
Read MoreIn Cold War, Jon and Maggie’s misery is our delight and played for side-splitting laughs. The level of vomit in the film is as voluminous as the dark humor. This comedy is the brainchild of writer J. Wilder Konschak making his feature-length screenplay and co-directing debut with Stirling MacLaughlin. His created scenarios and pitfalls are bracingly honest for both their entertaining embarrassment and sinister believability.
Read MoreReady Player One is the liveliest Spielberg film in a decade or more. You could spend hours pausing every frame of this film to discover and relish in the multitude of buried treasures, making the film’s rewatch and replay value tremendous. The nostalgia factor of this film should be a high-score badge of achievement and not a knock of pitiful pandering. Dream fulfillment is a worthy and ambitious target for audience inspiration. That tangible sensation equals the desired blissful excitement this film delivers.
Read MoreTheir maddening pursuit for prisoners takes the opponents into a rustic valley of Mohawk turf with a river bordering one side and the full war on the other. One by one, grizzly deaths dwindle numbers on both sides until the prophetic zinger line of “we’re the only monsters left out here” brings forth another plane of peril. The aggressive hunt turns ethereal and truly primal towards a crackling climax of mist and fire.
Read MoreMany internal and external situations can cause feelings of desperation. Straits get so dire that horrible choices become the only choices. For Angie in Beauty Mark, played by emerging TV actress Auden Thornton, the burdensome weights (and they are sure plural) around her neck are overbearing. When those burdens and stresses pile on at the same time, the desperation of her situation becomes overwhelming in this excellent and hardscrabble family drama from writer-director Harris Doran.
Read MoreIn many respects, the degree of difficulty to make the cheesy entertaining is not very high. Laughs of the low-hanging fruit variety are easy to come by and guilty pleasure films are created all the time. The real challenge is to make the cheesy, and the laughs that come with it, unexpected and fulfilling. Flush with snickering hilarity and scoring plenty of points for swerving surprises, Game Night is infectiously entertaining with any cheese it serves.
Read MoreHere are my collected reviews for the Oscar nominees for Best Animated Short Film. Listed in order of rating and true to my website’s hook, each review includes a life lesson takeaway. A collected program of these films is available from various theater chains, including the Landmark Cinemas locations here in Chicago, starting on February 9th. In 90 minutes-and-change, you get five exceptional works for one ticket. Calling all Oscar completists!
Read MoreThrough 42 Grams, documentary director Jack C. Newell muddles away the self-importance and crafts his own dish laced with affinity and rapport. Following the trials and tribulations of gifted chef Chicago chef Jake Bickelhaupt and his wife Alexa, Newell’s film looks beyond the culinary decadence to reveal a core essence of ambition as relatable as any other version of the American Dream. The captive fascination swelling from that gathers attention and an audience where it normally would not.
Read MoreScoot Cooper’s grizzled western Hostiles opens with a quote from novelist D.H. Lawrence that reads: "The essential American soul is hard, isolate, stoic, and a killer. It has never yet melted.” Those four adjectives and labels assigned by the English writer ring true for the late 19th century historical era he observed and also for the film itself you will watch. Each of those traits are embedded within Cooper’s difficult and impressive film.
Read MoreThrow out all of the Star Wars fan theories you’ve read or heard in the last two years. Ignore all of the online noise and irresponsible think piece editorials that have piled up on the web since Star Wars: The Force Awakens. Most importantly, relinquish whatever warped and selfish expectations that have been formulated by the blitz of marketing buzz. Star Wars: The Last Jedi takes its mountain of hype and shoves it away to make something nonconformist and wholly compelling in quite possibly the richest and most expressive entry of the storied franchise.
Read MoreDarkest Hour and Gary Oldman exhibit tremendous fight to match the vigor of the era. The film builds its mounting prospects of calamity and clashes of dissension with polish and gumption, avoiding many of the dull notes normally saddling most other behind-the-war-room yak-fest. The screenplay shrewdly skips laborious biographical notes and tautly fixates primarily on the two weeks of debate leading up to Operation Dynamo
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