Posts in 4 STARS
DOCUMENTARY REVIEW: Amy

Filmmaker Asif Kapadia captures the bracing and startling rise and fall of the late jazz singer Amy Winehouse in "Amy."  Accessing an enormous wealth of old videos from friends and family, self-read letters of lyrics and songwriting, archived phone conversations, backstage footage, media appearances, and unreleased performances, "Amy" weaves a masterful and compelling narrative.  It is on the 2016 Oscar short-list for Best Documentary Feature and is available now for home viewing.

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MOVIE REVIEW: Chi-Raq

In Spike Lee's film, the symbolism is thick and the underlying truths are even thicker.  "Chi-Raq" is fiercely intelligent with its farcical parable and fearless in its vicious social commentary.  Both exhibit equal power.  That balanced ability is tremendously difficult to pull off with honesty and Lee has done it.  

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MOVIE REVIEW: Macbeth

51st Chicago International Film Festival Highlight special presentation

When you have a film adaptation of a William Shakespeare play as arresting, brawny, and commanding as Justin Kurzel's "Macbeth," one has to throw the theater snob rant out the window.  They are exactly like the "book is better than the movie crowd" only more under-served.   We get it.  No cinematic adaptation is ever going to satisfy everyone.  My advice is get over the nit-picking and soak in a movie and treat it as a different medium entirely than the static stage.  This new "Macbeth" is an event, not a play, and a darn good one.

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MOVIE REVIEW: Youth

Directed by Italian filmmaker Paolo Sorrentino, “Youth” is a cornucopia of quirk colliding with decadence.  We get to see how the other half lives through messy characters making sense of their lives while soaking in a lavish vacation.  Thanks to a stellar cast and brilliant performances, “Youth” surprises us to show how much interest and intrigue can be found in foppish people we normally wouldn’t closely identify with as an audience.

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DOCUMENTARY REVIEW: Hitchcock/Truffaut

Picture your personal influences, either worshiped or admired, and imagine being granted the opportunity to have a conversation with them.  What would you talk about?  What would you ask them?  How would it change you?  In the world of cinema, such a conversation happened between a then-neophyte auteur Francois Truffaut and the aging master Alfred Hitchock in 1962.  Their documented meeting has gone on to inspire generations of future filmmakers and cinephiles.

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MOVIE REVIEW: The Danish Girl

Tom Hooper's new film, "The Danish Girl" based on the fictionalized account of Lili Elbe, spearheads what has been a banner 2015 year for LGBT film subjects.  This a film not about a character looking for love.  All that person wants is to be the truest version of themselves on the inside in a time where what that means on the outside would not be accepted publicly.  The philosophy of it all brings us back to Ralph Waldo Emerson when he said, "What lies behind you and what lies in front of you, pales in comparison to what lies inside of you."  "The Danish Girl" delivers a story that matches the matter of Emerson's thoughts on the past, future, and inside.

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MOVIE REVIEW: James White

51st Chicago International Film Festival U.S. Indies special presentation

Much of the resisted maturation journey playing out for the title character in Josh Mond's "James White" feels petulant and half-hearted, much like the character himself.  We learn that effort is by design because he is a character that needs fixing.  The only way James White can mature is through bottoming out and finding emotion in places other than himself.  "James White" is a difficult and unflinching look at both terminal illness and wasting one's life on selfish excesses. 

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MOVIE REVIEW: The 33

51st Chicago International Film Festival Highlight special presentation

In the hands of someone more bombastic, the finished product of "The 33" would be far more cliche and erroneously over-dramatized.  Director Patricia Riggen certainly still employs a plentiful creative license to dramatize and compress this trauma into two hours, but the lionizing on one end and the vilifying on the other is remarkably low.  "The 33" is a winning survival film where the people come before the stereotypes and theatrics.

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ADVANCE MOVIE REVIEW: Spectre

With the arrival of "Spectre" for Daniel Craig's fourth outing as 007 and the returning follow-up of Academy Award-winning director Sam Mendes, questions arise to the notion of raised and renewed expectations.  How do you top "Skyfall?"  How do you improve or follow a game changer like that?  The first answer is you can't.  The best this film can do is continue the momentum and build to the next game changer.  "Spectre" stands as exactly that precise first step down from a summit on its way to find the next mountain and next great challenge.

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MOVIE REVIEW: The Middle Distance

51st Chicago International Film Festival special presention

There is a tangible and winsome spirit that emerges through this quick 80-minute journey of "The Middle Distance."  First-time director Patrick Underwood rightly sticks to artistic vision and solid storytelling over cheap tricks and the urge to throw monkey wrenches at everything for the sake of standing out.  A easy story such as this doesn't need overindulgence.

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ADVANCE MOVIE REVIEW: The Walk

The definition of "marvel" can be given as a noun or a verb.  As a noun, it means "something that causes wonder, admiration, or astonishment."  When used as a verb, marvel means "to wonder of be curious about."  Several aspects about the true story behind "The Walk" spell out both definitions of marvel.  Just hearing about the daredevil feat orchestrated by Frenchman Philippe Petit, walking for an hour on a high-wire 110 stories up across the former twin towers of the World Trade Center, evokes a "He did what?!" head-turning reaction where you acknowledge the wonderment and want to learn more.  While not perfect, "The Walk" astonishes enough visually bringing this historic stunt to life to captivate movie-going audiences.

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MOVIE REVIEW: The Man From U.N.C.L.E.

Because of the box office clout of James Bond and Ethan Hunt and plenty of failed imitators in between, "The Man From U.N.C.L.E." and its small stature roots already have difficulty standing out as a ripe property for viable franchise possibilities.  It would have to hit on its own unique style to succeed and stand out.  Ritchie's film does exactly that to be an easy and breezy companion to the foreboding likes of the modern spies.  If you feel the spy game has gotten too ominous over the years, slide over to "The Man From U.N.C.L.E." and have a good time.

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