All of this plot in "The Zero Theorem" operates in the wholly imaginative and tremendously trippy world that we expect from Terry Gilliam, which is just as it should be, in a way. I wasn't expecting anything less than his previous surreal creations. It's got that quirk going for it, but it's not used efficiently, outside of the fact that the film kept its dreary magic carpet ride at under two hours.
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"The Monuments Men" may be the rare enigma and case of identity crisis where a movie doesn't know what it's trying to be. If "The Monuments Men" had went straight serious to really honor this war effort story, those involved all have the chops to deliver an affecting epic. If it had went the lighthearted route, this same cast and crew could nail that crowd-pleaser too with equal room for success. Either route needed more dedication and more time to succeed.
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