MOVIE REVIEW: Lone Survivor

Especially in the cases of movies based on true stories, we too often play "armchair quarterback."  We think we know the truth or can spot a lie when, very likely, we weren't part of the actual events.  We call out movies for their believability and realism on two ends of a spectrum.  On one end, we accuse them of exaggerating and stretching the truth of a real story.  Our answer for that is a dismissive "come on" and "no way."  On the other hand, we will chastise them for being sanitized, sugarcoated, and not real enough when necessary.  For those, we still answer with a different, but similar "come on" and "no way."

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COLUMN: 2014 Winter Movie Preview

Well, movie fans, the changing of the calendar might bring new hope and enthusiasm in our personal lives, but, let me tell you, this is, annually, the worst season for movies.  Enjoy the Christmas leftovers while you can, because these are the annual dog days of winter at the multiplex.  The awards season with the upcoming Golden Globes and Academy Awards keeps a few things shiny, but the months of January and February are predominately the dumping grounds for movies that weren't deemed good enough for Oscar or hit-worthy enough for kids and families on holiday break.

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EDITORIAL: New Year's Resolutions for the Movie Industry in 2014

As I say every year, plenty of regular everyday people make New Year's Resolutions, but I think bigger entities, namely movie makers and movie moguls, need to make them too.  I volunteer to stand in and make those resolutions in one of my favorite editorials to writes every year.  Welcome to my third annual "New Year's Resolutions for the Movie Industry."  

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EDITORIAL: The 10 Best Films of 2013

For the third year in a row, I've been lucky enough to catch as many of the best and brightest movies of 2013 as possible before the official end of the year today.  I managed to keep seeing movies and discovered the beauty of Video on Demand, which expanded my opportunities to review movies running concurrently in theaters.  I found greater luck being near the big city of Chicago to win my way into advance screenings through contests and Gofobo events.  The best part of all was getting the chance to treat myself and take part in the 49th Chicago International Film Festival, where three of my "10 Best" movies came from.  I'm amazed that I was able to see all that I did with a new little piece of entertainment at home.

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MOVIE REVIEW: Her

Her, the new film from Being John Malkovich and Where the Wild Things Are director Spike Jonze, takes a look at that level of dichotomy and extends it into the not-too-distant future in a very different kind of science fiction setting. 

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MOVIE REVIEW: Inside Llewyn Davis

It was Oscar Wilde that famously said "life imitates art more than art imitates life." When that mantra gets applied to cinema, we commonly talk about how we, as audiences, live vicariously through the imagination and fantasies that films create for us. The first part of that quote gets talked about all the time in that way. It's not too often that the second half of that quote comes true, but I feel that Ethan and Joel Coen have achieved just that with their latest feature film, Inside Llewyn Davis.  As a fictional documentation and internal look at a crucial week-long journey in the life of an aspiring folk singer in 1961 Greenwich Village within New York City, Inside Llewyn Davis uniquely feels more like a film taking on real life than one pretending the other way around, as is so often the case with movies. While unique, I don't know if that's necessarily a good thing. Let me explain.

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