ALPHABET MOVIE CLUB: Redbelt

Writer-director David Mamet, if anything, is a student of the art of performance.  Much like Martin Scorsese and Peter Bogdanovich, Mamet enjoys emulating old film styles with his eclectic work.  In Redbelt from 2008, he takes a stab at the samurai genre of Akira Kurosawa.  With no modern samurais in this world, he tackles to world and coiled discipline of mixed martial arts.

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MOVIE REVIEW: Looper

Time travel movies are supposed to be a somewhat confusing clash of logic and curiosity about the future and Looper lives up to that trend.  That's their fun and appeal.  Looper's palette for the future, while on the bleak side, is far from preposterous and completely apocalyptic.  It's driving story premise, while crazy, is far less ludicrous to accept and play along with than so many other and lesser time travel movies. 

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MOVIE REVIEW: The Master

For this writer, Paul Thomas Anderson is a divisive tough sell.  His movies, while technically sound and visually sharp, can frequently feel tiresome, bizarre, and vague to me.  For many critics and cinephiles, those adjectives make him a courageous, risk-tasking genius instead.  Such can be granted, but, with apologies, his nature and results can still make him exactly the former: tiresome, bizarre, and vague. The Master perpetuates that split sentiment.

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