The careers of Daniel Radcliffe, Emma Watson, and Rupert Grint skyrocketed when Harry Potter and the Sorcerer's Stone premiered in November 2001. The film was a major success and made $32.3 million on its opening day, breaking the United States' single day record previously held by Star Wars: Episode I - The Phantom Menace. Though this was only the beginning! The subsequent films continued to be record breakers and collectively generated $7.2 billion at the box office. Read for more fun facts in this infographic!
Read MoreOne of the reasons why people love going to the movies is the atmosphere. There is simply nothing like it, as you lay back, grab a bag of popcorn, watch the lights dim and allow yourself to get immersed into the big screen. It feels like you are one with the characters – if the movie is any good, that is. Enjoy this guest editorial!
Read MoreAaron White and I have been circling Alfred Hitchcock's Vertigo for months, ever since it officially celebrated its 60th anniversary on May 9th. Next to Casablanca, it’s probably the highest regarded film “Connecting With Classics” will present in this series during this inaugural year of 2018. We here dive into the AFI’s Top 100, but Vertigo sits atop "The 50 Greatest Films of Time" as voted on by the British Film Institute’s Sight and Sound magazine. Ladies and gentlemen, they don’t get much better than this.
Read MoreAbout six months ago, the unofficial "Comics Council" guest dais of Ian Simmons' Kicking the Seat podcast sung the praises of Ryan Coogler's Black Panther. We knew then during that episode that we just watched something special that was going to explode and resonate with audiences beyond the multiplex. Sure, enough we were right. Ian, David Fowlie of Keeping It Reel, Emmanuel Noisette of E-Man's Movie Reviews, and myself made a pact then to revisit the film and expand on our first discussion. Welcome to our returning second spin, this time collected via Skype, with the Wakandan King and all his victorious results.
Read MoreYou will color yourself impressed by the unexpected power of this independent to subvert expectations with such cunning dexterity. No matter if it’s zero budget devil-may-care freedom or a nine-figure open blockbuster checkbook, few movies on any level could ever dream a way this damn good to marry and blend stoic manliness and a whimsical romance on top of the lurid exploits its title advertises. The Man Who Killed Hitler and Then The Bigfoot punches with pulp and grinds gravitas rather than gore.
Read MoreNotable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
Read MoreLong, dramatic falls are a frequently used device in cinema to provide a suitably theatrical demise for a character. Whether it’s from a skyscraper, an aircraft or even a mountain chasm, there are few more visually arresting ways to provide a cinematic send-off. To give the frequently used set-piece some well-needed recognition, Roof Stores put together a movie "Fall of Fame" acknowledging the best examples of falling in film history. Enjoy!
Read MoreNotable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
Read MoreUsually for this website, half of a year equals half of a future “10 Best” in December, meaning normally only five films make this “best of” list. However, I have seen six 5-star feature films as well as one 5-star documentary and one 5-star short film. I’m giving all of them the spotlight. As always for this “so-far” list and the year-end final and true to my website’s hook, I present each film with its best life lesson from my review. Enjoy!
Read MoreNotable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
Read MoreNotable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including four of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
Read MoreThe Feelin’ Film Podcast and Every Movie Has a Lesson go back a little further and a little sillier than than Jurassic Park and Jurassic World with the loosest movie interpretation of a paleontologist possible. 1938’s Bringing Up Baby, directed by Howard Hawks and starring Katharine Hepburn and Cary Grant, may not be scary but it is a classic screwball comedy with plenty to enjoy. Here’s our latest “Connecting With Classics!”
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