As I grow with press credentials and professional affiliation locally and nationally, I find myself more and more landing and conversing in circles with other film critics of various levels. Much like the David Ehrlich survey I participate in, I answered an open social media call from Jordan Ruimy of World of Reel. He is a fellow Rotten Tomatoes-approved critic who also has contributed to The Young Folks, The Playlist, We Got This Covered, and The Film Stage. His poll was to collect the Top 5 films of the 2010s from critics and other industry folk. I was honored to chime in with my quintet.
Read MoreTHIS WEEK'S QUESTION: What major filmmaker should try their hand at television?
Full admission, I don’t little to zero current TV. I’m a long-time cord-cutter and I’ll occasionally binge a show with my wife on Hulu or Netflix. Still, the list of buzz-worthy shows I haven’t seen during this 21st century evolution of the medium that keep water coolers thriving is ridiculously long. However, my eye for the movies can pick out a good creative mind. A little research on Google revealed many prime director names who’ve had their moonlighting projects on television, much to my surprise. After a few nominees, I found my stylish pick.
Read MoreFolks, this was the big one! Immediately after the hush-hush advance press screening of Avengers: Endgame, Ian Simmons of Kicking the Seat called for the “comic council” of film critics to assemble. True to our loyal form, David Fowlie of Keeping it Reel and myself started spoiler-free and then expanded to full spoilers on our fresh and immediate reactions on the big MCU finale. Mere minutes after the epic film’s conclusion, the three of us exhaled for a very spirited conversation.
Read MoreTHIS WEEK'S QUESTION: How do you think the legacy of the Marvel Cinematic Universe will impact the movie world?
Boy, this was a rough survey collection. The majority of participants this week have more negative responses and rationales than positive ones when it comes to talking about the lasting impact of the MCU. I’m unashamed and proud to try and be one of the more positive replies. Is it part of a big corporate greed monster? Maybe, but I cannot deny how it’s become a huge and influential success.
Read MoreTHIS WEEK'S QUESTION: What’s the most beautifully animated film ever made?
Much to my surprise, I was the only participating critic in this week’s survey to cite a Disney movie, and a classic one at that. As you’ll read in my contribution, I can’t get over the depth from the backdrops in Sleeping Beauty. I do love that Loving Vincent inclusion. That very much in the running for this vote.
Read MoreTHIS WEEK'S QUESTION: What film has most defied your expectations, either for better or for worse?
I harp often about unreasonable expectations. Between giving up trailers and really trying to bring a little more objective grading into subjective criticism, I’ve come to hate the term “expectations.” I really stretch to stay neutral at all times. That said, having zero expectations is impossible, which means, like this week’s question, plenty of movies will surprise me from what they were billed to be. For my answer this week, I dug back to 1999 and picked out a silly movie that really won my over, cheese and all.
Read MoreLook! It’s the other Captain Marvel movie! In a quick turnaround after Marvel took it’s turn in March, the “comic council” of film critics united again to say our own magic words. Kicking the Seat’s Ian Simmons crossed the Skype-streams to put the wizardry of Ian, David Fowlie of Keeping it Reel, Emmanuel Noisette of Eman's Movie Reviews and myself together for a heck of a super-spirited podcast. Enjoy!
Read MoreTHIS WEEK'S QUESTION: Is “elevated horror” a real thing"?
I’m not a horror film regular or connoisseur, but I know and appreciate a good horror film when I see one. I know “elevated horror” has become a buzz term, as evidenced by David Ehrlich’s survey this week, but I think the unlabeled idea of it has been around since the beginning of the genre. I consider it’s a compliment, which puts me in the slim minority this week on the dais.
Read MoreTHIS WEEK'S QUESTION: What is the best documentary about the American political system?
Documentaries are not my strong suit. I’m a big An Inconvenient Truth mark, but I wouldn’t call that a documentary about the American political system just because of the presence and olive branch policies of former Vice President Al Gore. Ava DuVernay’s 13th also has scope beyond the business and posturing of D.C., but the political threads run farther and deeper, making it my worthy pick this week.
Read MoreTHIS WEEK'S QUESTION: Who is the greatest movie cat of all-time?
Eschewing the rest of the trollish buzz surrounding Captain Marvel, I really appreciated that David Ehrlich picked a lighter question this week. In honor of the scene-stealing “Goose” from that new Marvel entry, we critics were asked to elect a top feline. Honestly, it was hard not to just picked the marmalade-colored Flerken. It took a little soul-searching (and Google searching) to remind myself of the toilet-flusher himself.
Read MoreNot waiting for any S.H.I.E.L.D. clearance of sign from Thanos, Kicking the Seat’s Ian Simmons convened the “comic council” of film critics for the new Captain Marvel starring Brie Larson. Our Skype-tied dais puts their cosmic, warped, and warped cosmic thoughts on the record. Enjoy myself, Ian, David Fowlie of Keeping it Reel, and Emmanuel Noisette of Eman's Movie Reviews as we celebrate and critique the latest Marvel dynamo.. Enjoy our extremely entertaining back-and-forth chat!
Read MoreTHIS WEEK'S QUESTION: Who is the best villain so far this century?
Gosh, this one was a hard one. For every obvious Heath Ledger Joker from The Dark Knight or Javier Bardem’s Anton Chigurh from No Country For Old Men, you could site anything Philip Seymour Hoffman in from Mission: Impossible III to Rachel McAdams in Mean Girls and still land on a good pick. I emphasized the dastardly and went smaller with J.K. Simmons’ Oscar-winning antagonist from the masterful Whiplash.
Read More