THIS WEEK'S QUESTION: Who is the best villain so far this century?
Gosh, this one was a hard one. For every obvious Heath Ledger Joker from The Dark Knight or Javier Bardem’s Anton Chigurh from No Country For Old Men, you could site anything Philip Seymour Hoffman in from Mission: Impossible III to Rachel McAdams in Mean Girls and still land on a good pick. I emphasized the dastardly and went smaller with J.K. Simmons’ Oscar-winning antagonist from the masterful Whiplash.
Read MoreTHIS WEEK'S QUESTION: Who should play James Bond after Daniel Craig is done?
Between Connery, Moore, Dalton, and especially Brosnan, I credit my mother for making me a James Bond fan. Though the Mission: Impossible franchise is on quite a run, I still consider Ian Fleming’s character king of the spy game. With Daniel Craig north of 50 and rumored to be done, the decadent tuxedo will be open to a new actor soon. I think I know just the guy and it’s an eclectic choice.
Read MoreTHIS WEEK'S QUESTION: What is one silver lining of this year's awards season, and why?
The 2018-2019 awards season has been a contentious and challenging up-and-down chore. Unpredictable one moment and inflexible the next, it was hard to find what David Ehrlich was looking for. Then I remembered the stature and history of Spike Lee and what a win for him would mean. I found my answer right there.
Read MoreIt’s time to breakdown each category and put some stone cold predictions into digital ink. Throughout the busy awards season, this website’s 2019 Awards Tracker has been my workspace to tally all the early award winners. That prognostication data is cited in these predictions. This column examines the race for Best Picture. As I say every year, stick with me and I will win you your Oscar pool!
Read MoreIt’s time to breakdown each category and put some stone cold predictions into digital ink. Throughout the busy awards season, this website’s 2019 Awards Tracker has been my workspace to tally all the early award winners. That prognostication data is cited in these predictions. This column examines the minor film categories of foreign film, documentaries, animated films, and short films. As I say every year, stick with me and I will win you your Oscar pool!
Read MorePeter Hutchings’ comedy Then Came You presents romance entangled by terminal illness. That topic seeped in gallows humor is far from new territory, meaning this is not a very deep film. Then Came You doesn’t have to be a message-thumping torchbearer for anything. Instead, it is squarely comfortable with its pile of pluck and parade of quirks. There’s a place for an easy film like this. Why? Look no further than those qualities of personality and earnestness. Everything difficult and rough is softened by cheeky and easy charm.
Read MoreNotable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 50 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
Read MoreCall it a critic’s perk, but it is an absolute treat to be able to annually view and review many of the Academy Award nominees for the minor film categories. This year’s finalists for the Animated Short category are the best field in several years. They vary in emotional anchors and artistic styles, but sacrifice little in quality, effort, or impact. Locally here in Chicago, these selections are playing at the the Landmark Century Centre Cinema location in Lakeview.
Read MoreThe poster for the Mexican remake Perfectos Desconocidos glows with affluence. We see a richly appointed dinner party scene flush with refinement from edge to edge across fashions, place settings, and the flowing wine. What intentionally glows the brightest on the poster is the statement “We all have a secret life.” It symbolically shows materialistic beauty undone by the blunt intrusion of technology. Thematically, that tagline statement is the lightning bolt of tension that charges this entire film.
Read MoreNotable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 50 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
Read MoreAs one of the founders and directors of the Chicago Independent Film Critics Circle, I am honored and thrilled to share with you the results of the third annual CIFCC Awards. On Saturday, February 2nd at a special evening members event hosted by the Cards Against Humanity Theater in Chicago, the film critics and guests gathered to honor the year in film, celebrate member accomplishments, and promote overall group achievements. The event was streamed live over the CIFCC YouTube channel.
Read MoreNotable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 50 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
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