Kicking up scratchy dust in the western genre, the Zellner Brothers rousingly debunk and demystify that stereotype to create a dark comedy of their own pitch and prickliness. With humor as dry as the topography, Damsel is the kind of film that sneaks up on you like a snake in the weeds. The brothers and fellow stars Robert Pattinson and Mia Wasikowska dance all over this landscape, but the steps keep dawdling when the music runs out.
Read MoreIn contrast to the informational methods of most common documentaries, poetry is the point of view within Mountain. Featuring towering imagery enriched by a sumptuous narration from recent Academy Award nominee Willem Dafoe, Australian filmmaker Jennifer Peedom’s follow-up to Sherpa is a testimony to what draws people to the mental and physical summits they seek to conquer. The size of this film demands the biggest screen you can find.
Read MoreOne winning quality of many that makes the Sundance darling Hearts Beat Loud so perfectly endearing is fleshed out by its very title. The deeply personal pulse that makes this movie tick is nourishment to the soul. Emotive and approachable relationship challenges and a stirring soundtrack combine to make this shiniest of indie gems the anti-blockbuster of this summer. Absorb this film, with your eyes and ears open, and let its essence revitalize you the way it does its own characters.
Read MoreMaking its Chicago premiere this weekend playing for a run at the Gene Siskel Film Center, Pablo Solarz’s film earns every measure of its stirring dedication. The Last Suit has an approachable and undeniable warmth beneath that thorny senior center masterfully played by Miguel Ángel Solá. The writer and director himself will join audience discussion on the Friday and Saturday evening showings. Keen audiences looking for an empathetic elixir would do well to absorb and appreciate this film at the Siskel.
Read MoreWon’t You Be My Neighbor? presents the core of that incomparable man with an impenetrable reputation of tolerance, even against criticism and cynical parody of his message. Fred Rogers’ lasting achievement wasn’t years of fame or fortune. It was the mission to mold others that could share the same. Morgan Neville’s film nails that without fail. What that man did to love cannot quantified, but this film can sure try with shattering emotional sentiment.
Read MoreFriend-of-the-page and always the supportive collaborator, Aaron White of the Feelin' Film podcast exited his advance screening of Paul Schrader's First Reformed in need of a therapy session to exhale and unpack the heavy film. I had the same challenge. Combining forces, we jump on the mic to talk through what we just saw. First Reformed hit us hard with its intellectually profound script regarding matters of faith and environmentalism, providing plenty of questions and few answers. One of the strengths of the film is its ability to be a powerful conversation-starter, and this episode is proof of that.
Read MoreThe looming threat of nuclear war presented within the independent film Sunset thrusts a heavy-hearted ordeal on a small cross-section of everyday people living near New York City. Any blockbuster portending, ticking clocks, or manufactured heroics are decidedly off-screen, Periodic news bulletins keep the score, so to speak, but Sunset stays keenly personal. This is about the people, their homes, and the fitting resolve to stay where one feels is right.
Read MoreIn the third and final part of a busy May collaboration, Mike Crowley of "You'll Probably Agree" leads a full-bodied recap of what he and I covered from the prestigious and successful 6th Chicago Critics Film Festival. We rundown a collection of 10 reviews that included The Guilty, First Reformed, On Chesil Beach, Eighth Grade, Bodied, Support The Girls, Revenge, We The Animals, and Abducted in Plain Sight. Enjoy this uncut back-and-forth shared discussion!
Read MoreThere is a different and commendable bravery found in the young and old to carry on the community dream of hearth and home. For the “War to End All Wars” at the beginning of the 20th century, those civilians predominantly included women who were mothers, wives, fiances, and sisters. Xavier Beauvois’s often lovely foreign film The Guardians from Music Box Films follows the hardscrabble trials and tribulations of one French homestead of ladies during the lean years of World War I
Read MoreOriginal On Chesil Beach writer Ian McEwan was able to write his own screenplay and select his own places to deviate and condense. The denouement in the film is shortened from the deeper explorations made by the novel. It’s a hell of a turn that hits like a ton of brick but feels very rushed. The additional heft and scope do elevate the film from the comedic beginning into something more poignant, albeit it is a mismatched and difficult experience to approach and accept, much like the maligned central couple.
Read MoreWith First Reformed from A24, veteran writer-director Paul Schrader has crafted another startling and fascinating cinematic gem on his favored topic of self-destruction. The escalating tension is phenomenal, guiding heavy lessons and postures, all led by quite possibly the best performance to date from Ethan Hawke. Discerning audiences will find much to dissect and discuss as they process First Reformed.
Read MoreViewers of Book Club are coming for the assembled legendary talent and the chance to watch Diane Keaton, Jane Fonda, Candice Bergen, and Mary Steenburgen prance with punchlines. All that banter! All the innuendos! All the metaphors! All the “lethargic pussy” zingers! All of it is an easy treat of summer counter-programming and a little more.
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