The short turnaround 92nd Academy Awards arrive host-free for the second consecutive year on Sunday, February 9th, barely a month after nominations were announced. The pace has added excitement and urgency right on down to my website’s 2020 Awards Tracker. Let’s start calling some winners. This column examines the minor film categories of international, animated, and documentary films. As I say every year, stick with me and I will win you your Oscar pool!
Read MoreThey may not get much attention when they’re not made by Disney and not appearing in front of their animated tentpoles, but the artistry and creativity is alive and well in the field of animated short films. This year’s five nominees for the 92nd Academy Award are some of the most stark and unique entries I’ve seen in the years I’ve been able to cover the annual best. Below are my capsule reviews of this year’s final five for Best Animated Short. Naturally, my niche of life lessons are included. Like the documentaries and live-action shorts in other Oscar categories, the animated films are presently collected in a single program to watch on the big screen at Landmark Theatre locations nationwide, including the three venues here in Chicago.
Read MoreZoinks, does this movie have vigor! For those folks who constantly lament that there is nothing original and interesting to watch anymore in this multiplex marketplace of creative bankruptcy, look no further than the minor challenge of following Korean subtitles. The sly guile simmering behind the decadence of Parasite exceeds any trope one thinks that possible assign to this film. This is your jaw-dropper. This is your water-cooler winner. This is the one that will keep people talking for a long time.
Read MoreBy Omar Cardoza
In 2002, Cidade de Deus, otherwise known as City of God, was released in Brazil. It did not take too long before the film became internationally acclaimed, in fact this film was nominated for multiple Oscars although it did not win. The film’s narrative, filming techniques, and setting provide for a compelling argument that the whole story is in fact a true depiction of the favelas Brazil. Films and cinema can be a means to generate discourse between a reality presented to us through the screen and the actual reality of the world. This can cause changes not only to the individual but through enough exposure to a broader audience can cause changes at the societal level and “is extremely important and carries tremendous responsibility since believing that films can shape the collective imagination can (re)affirm or deny a preconception or even reinforce…”
Read MoreBy Steven DiGiorgi
After analyzing Neill Blomkamp’s District 9 (2009), the setting of the film capitalizes on the post-colonial setting in Johannesburg, South Africa. What we viewed in the film as a representation of South Africa’s past, through an alternative perspective that identified the oppressed African people as aliens, known as the ‘Prawns’. The isolated community of District 9 represents oppressed living conditions for the millions of people negatively affected during the Apartheid rule (1950-94) (Weaver). For half a century, the South African people had faced dehumanization and discrimination by xenophobic Europeans. The caricature of the European colony was portrayed as the private military, MNU. They followed a typical method of a dystopian society, where power was diverted from the people to the hands of the government.
Read MoreBy Terrance Steenman
To be honest, I never thought too heavily about architecture growing up. I imagine most people feel this way their entire lives. Sure, when we were children there were LEGOs or Lincoln Logs (if you were so fortunate as to have those toys), and with those toys one could build a space of imagination, but rarely do people make the connection that the lessons learned can be applied to the masonry, wood, steel or concrete that shape our daily lives. Constantly in the field of architecture, we are told to think back to a time when we did not have architectural eyes, and to instead view architecture from the lens of the ordinary person
Read Moreby Ruohao Yan
Chungking Express, a 1994 movie about romantic and urban life in Hong Kong, depicts the glamour of the metropolitan life and social issues in Hong Kong. The film director, Wong Kar-Wai, describes two love stories between ordinary citizens. In the first romantic story, a police officer, went by the number “223” broke up with his girlfriend on April fool's day, but he was trying to salvage his relationship with her. A month later, he found that his girlfriend had a new love, so chose to give up and went to a bar to forget. He met a female drug dealer in the bar who was betrayed by her boyfriend. The two spent the night together. However, their relationship did not work out. In the second story, a police officer, went by the number “663”, had been in a depression for a long time due to his breakup with his girlfriend. The film not only highlights the beauty of Hong Kong, but also touches upon the dark side of society
Read MoreFor the 55th year, the excellent and eclectic of national and international cinematic art descends on the Windy City for a fall conclave. The 55th Chicago International Film Festival begins on Wednesday, October 16th with the Opening Night bow of Edward Norton’s period crime drama Motherless Child and continues until October 27th with the Closing Night documentary premiere of The Torch chronicling the life of blues legend Buddy Guy. Norton’s film leads an eleven-day showcase of 21 different themed programs containing over 120 films.
Read MoreAs an Chicagoan of strong Irish descent myself, let me step in and play the part of “good authority.” I have it on good authority that the annual Irish American Movie Hooley is a boisterous event with a trio of buried treasure movies that normally wouldn’t grace American screens. Just as the event’s name translates: “When a party gets rowdy, the Irish call it a ‘hooley.’” You need to join the 5th edition of this artistic autumnal party at The Gene Siskel Film Center over the weekend of September 27–29. Come for the scene. Consume some friendly and fascinating culture. Here are my capsule reviews!
Read MoreAs an Chicagoan of strong Irish descent myself, let me step in and play the part of “good authority.” I have it on good authority that the annual Irish American Movie Hooley is a boisterous event with a trio of buried treasure movies that normally wouldn’t grace American screens. Just as the event’s name translates: “When a party gets rowdy, the Irish call it a ‘hooley.’” You need to join the 5th edition of this artistic autumnal party at The Gene Siskel Film Center over the weekend of September 27–29. Come for the scene. Consume some friendly and fascinating culture.
Read MoreMusicals, dramas, comedies, and thrillers are just some of the genres coming Chicago’s way from overseas during the ninth season of Asian Pop-Up Cinemas. For another month between September 10th to October 10th, the non-profit Sophie’s Choice film organization has brought another eclectic slate to the Windy City. Each season, Asian Pop-Up Cinema is the film series that cultivates American interest and understanding of Asian culture through movie storytelling.
Read MoreAs busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. In a new review series, I'm opening my site to friend submissions for guest movie reviews. Today, meet fellow Feelin’ Film contributor Jeremy Calcara!
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