The new foreign-backed "Clouds of Sils Maria" is the latest film to challenge the parallels of a performer channeling what may or not be a version of themselves. Written and directed by Olivier Assayas, "Clouds of Sils Maria" premiered in competition at last year's Cannes Film Festival and worked the film festival circuit last winter, including stops in Toronto, New York, and the 50th Chicago International Film Festival. The film finally makes its limited U.S. theatrical release on April 10th. Honed down to a serious scale far smaller and more intimate than the likes of "Notting Hill," the cinematic star in the center of this solar system microcosm is Academy Award winner Juliette Binoche. As a gracefully aging actress of peripheral prominence playing a fictional one of the same sort in a different situation, we are taken inside a phenomenal character study. "Clouds of Sils Maria" is a fascinating actor's showcase that deserves and earns your attention for the behind-the-scenes tribulations of acting and the livelihood attached to that career.
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