Posts in 4 STARS
MOVIE REVIEW: Judas and the Black Messiah

Director Shaka King and his co-writer Will Berson, both prior specialists of television, have penned and lensed an appropriately audacious feature film debut that deserves reverence and reaction. Through it all, there is tangible grizzled inspirational force to watching the agitators humanize and refine their plight. To hell with any “product of its era talk” because this is a crusade that many will cite as ongoing today with much of the same potency. Taking much deserved latitude, Judas and the Black Messiah does not beat around a single bush with where the antagonistic blame belongs.

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MOVIE REVIEW: Supernova

Harry Macqueen’s sophomore feature film takes its name from the celestial phenomenon of “the explosion of a star in which the star may reach a maximum intrinsic luminosity one billion times that of the sun.” We even watch the far off flicker of one occurring pre-credits. “Maximum intrinsic luminosity” meaning peak essential brightness, eh? Yes, that can aptly describe the very earthly power of Supernova’s loving relationship and the brimming personalities united in that bond.

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MOVIE REVIEW: The Ultimate Playlist of Noise

There is a small delight many viewers may share with Marcus, the main character of Hulu’s The Ultimate Playlist of Noise played by emerging actor Keean Johnson of Midway. This writer is one of them. Marcus’s narration brings up his enjoyment watching the facial expressions and body language of people hearing any array of sounds. Be it directly or voyeuristically, he’s astounded and inspired by the captivation seen among those listeners. He’s right. Try it yourself.

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MOVIE REVIEW: Pieces of a Woman

Nearly every artistic element of Pieces of a Woman holds a fixation with its lead Vanessa Kirby and rightfully so. Co-stars encircle her aura hoping to get closer. They are met by a lithe posture contorted in guarded torment that holds back their approaches. Her icy blue eyes, arched by her dark eyebrows, hold dry from tears, hang open while lost in thought, and project stares when attention is gained. Of all the points of focus captured by director Kornél Mundruczó, Kirby’s hands are purposefully watched the most. Historical quotes keenly remind us “idle hands are the devil’s workshop” and “nothing good comes from boredom.” Pieces of a Woman finds places to condone those vices.

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MOVIE REVIEW: Soul

Since Monsters, Inc., Up and Inside Out director Pete Docter doesn’t directly hide his envoys of empathy anymore. Honest-to-goodness people are once again front-and-center in his newest film, Soul, coming to Disney+ on Christmas Day. Its people may get magically spun into spectral vessels moving through a very uniquely manufactured system of the heavens, but they’re still humans being human. That said, with Soul, Pixar finally goes all the way with its streak. They evoke existentialism head on.

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MOVIE REVIEW: Sylvie's Love

A skeptical label Sylvie’s Love might receive is being called anachronistic. Such a descriptor is a compliment not a hindrance. In fact, it would be disappointingly out of place if Sylvie’s Love was anything less than properly rooted right where it is as a pseudo-time capsule. Ashe isn’t trying to insert a progressive modern agenda with revisionist history for current appeasement. The desire was a period romance with sweep, ambiance, and gloss. The look of the era and the look of love are all there.

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MOVIE REVIEW: Ma Rainey's Black Bottom

The narrative scope of playwright August Wilson’s Ma Rainey’s Black Bottom is a setting of Black performers sharing their collective experiences in life that now go into their music. There is a precarious pendulum of friendly diatribes and combative challenges between the traveling band members of the titular “Mother of the Blues.” Their forum may be a lowly basement rehearsal room, but the expanse of their descriptive histories reaches generations farther than mere geography.

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MOVIE REVIEW: News of the World

News of the World feeds off those carefully selected extra points of emphasis. You have Tom Hanks in his first western, and playing his true mid-60s age no less, for a change. He portrays a character who speaks with a keen sense of dramatic effect for his listeners. The actor and character occupy a movie that strives well to stay natural with believable aesthetics that are never gaudy. It’s grit without grittiness, and there’s a place for that in the western genre where not everything has to kick like 100-proof frontier whiskey.

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MOVIE REVIEW: Mank

Sports fans like to say “game recognizes game” when youngblood contemporaries hat-tip the greats in their presence or those that came before them. Thanks to The Social Network ten years ago diving into the not-so-nice history of Mark Zuckerberg’s Facebook, David Fincher knows this Welles-Mankiewicz territory all too well. He put a bullseye on an emerging institution and enlisted the wily Aaron Sorkin to help him light the fuse. The masterful director returns with a stylish tribute to courage that came before him. He gets it. Call Mank “balls recognizing balls.”

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MOVIE REVIEW: Superintelligence

As dippy as all of this in Superintelligence may sound and transpire, there are undeniable streaks of kindness bigger than terabytes. Not all that far removed from the likes of George Bailey or Walter Mitty, the imagination to root for hope and love in people with laughs along the way feels good. Such a sincere sweetness cannot be discounted or denied. Once again, simplicity earns that kind of vibe. Welcome that to your viewing coach this season. We could use it this year.

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MOVIE REVIEW: Run

The keys to the balance on the table are patience and precision. Suspense films with the composure of choosing its show vs. tell spots resonate better than smash-and-slash roller coasters and talkative bores. Chaganty and Ohanian came to Run with a strong premise that had depth of question marks to present behind it. Too many other thrillers never make it past their single starting idea. The duo slow-plays their escalating premise in a film that never seems to run out of constricting connections.

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MOVIE REVIEW: Jingle Jangle: A Christmas Journey

Soaring higher than any fabric or falsetto are the uplifting themes of this rich fable written and directed by David E. Talbert. “Revolutionary” is the adjective it aims for and achieves. Seeing all the STEM skills and encouragement on display, some school teacher out there (OK, maybe this one) is going to love this movie and slap a “Growth Mindset” stick on it. Go right ahead, educators. A movie like this is squeaky clean and classroom-ready for repeat enjoyment and pertinent talking points. Yoke its energy and foster that creativity!

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