In Tony, directed by incisive rising filmmaker Matt Johnson of Nirvana the Band the Show the Movie and BlackBerry, we’re not watching the complicated rise of the next J. D. Salinger. We’re witnessing the prickly makings of, quite simply, an asshole. With each new early scene, Tony stacks lies that inflate his resume, ego, and foothold on any actual success, with no signs of slowing down in a parade of one bad choice after another.
Read MoreWhen done right, there’s sensory excitement between noises that rattle seats and silences that destroy our nerves. Tuner, the narrative directorial debut for Oscar-winning Navalny documentary filmmaker Daniel Roher, recognizes this second type of potential power and seizes it for a nifty thriller that deserves just as many big screens as the summer blockbusters it is poised to swim against.
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