If you follow my social media shingles, you know I can't stop and won't stop stumping for this film. Searching is an incredible combination of innovative filmmaking, anxiety-inducing thrills, emotionally complex characters, and relevant commentary on the internet as both a danger and potential tool for good. Feelin' Film co-creator Aaron White and I were both floored by writer/director Aneesh Chaganty’s debut feature film and John Cho’s performance in it, so we sat down for a conversation about what makes the film so special. Enjoy this excellent conversation with all the feels and kudos!
Read MoreThe entirety of this daring film is presented through the layers of screens across computer desktops, video streams, and a mouse pointer that moves like a scalpel over those pixelated surfaces. The effect is addictively scintillating to create harrowing emotional triggers. Call it a gimmick all you want, but be prepared to be dazzled and proven wrong by the astonishing narrative construction and visual storytelling conduits. True to both the lurid intensity and exceeding excellence of the dictionary definition, Searching is downright sensational
Read MoreNotable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
Read MoreNotable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
Read MoreWatching the death-dealing retribution and grudge-settling on display definitely shows the dishonesty part, but you will find nothing easy enough to be called “pickings.” Oozing all kinds of artistic flamboyance and crimson damage, this film is a straight punch to the face that has to swing hard to to knock you out. Like any punch, the hand delivering it stings as much as the cheek that receiving it. Sure enough, Pickings is a punch you’ll take and ask for another.
Read MoreNotable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
Read MoreThe slogan of Spike Lee’s long-time production company 40 Acres and a Mule Filmwork is “by any means necessary,” a tagline that could not be more fitting of the urgency and purpose of Spike’s works. Nothing he puts his effort into ends up empty or meaningless. His lightning rod flair singes silver screens again with Cannes Film Festival Grand Prix prize winner BlacKkKlansman, stoking a p
Read MoreWriter-director Robert Schwentke has boldly moved away from schlock (R.I.P.D., RED) and softness (The Time Traveler’s Wife) for something visceral and chillingly raw. As Herold shows no quarter, neither does Schwentke and this film’s penchant for discomfort. The events portrayed are so imprudently berserk that it borders on unbelievable farce, despite its cited historical inspiration of the man who performed these acts before he was even 21 years old.
Read MoreYou will color yourself impressed by the unexpected power of this independent to subvert expectations with such cunning dexterity. No matter if it’s zero budget devil-may-care freedom or a nine-figure open blockbuster checkbook, few movies on any level could ever dream a way this damn good to marry and blend stoic manliness and a whimsical romance on top of the lurid exploits its title advertises. The Man Who Killed Hitler and Then The Bigfoot punches with pulp and grinds gravitas rather than gore.
Read MoreHost Aaron White of the Feelin' Film podcast brought me in for a chat about rookie director Bo Burnham’s new feature film Eighth Grade. The film is currently generating a lot of buzz and most everyone who has seen this darling indie has loved it - us included. You can count on it making our year-end list conversations. Director/Writer Bo Burnham is most known for his stage comedy routines so humor was definitely a big part of the film, but it has an amazing amount of heart and life lessons (my favorite) for us to discuss, as well.
Read MoreIf you didn’t know it, you would think this film is a slice-of-life documentary, giving the film similar striking authenticity and power as Chloe Zhao’s celebrated spring film The Rider. En el Séptimo Día presents an empathetic and beautifully rendered microcosm of the American Dream. Between the recent World Cup and our country’s ever-present immigration debate, a tender and compassionate allegory such as this could not be more soothing cinematic balm and satisfying experience.
Read MoreDropped jaws, bashfulness, winces, worries, and all, this dynamite film needs to be required viewing for the teens out there, especially girls, of these complicated and confusing present times. And the people that should be joining them in the next closest seats are their parents who need their eyes and hearts opened as well. Adults, this Eighth Grade may not be your plight or a mirror to your own middle school experience, but you can engage and empathize easily with its challenges.
Read More