GUEST ESSAY: Time-Transcending Architecture in "The Lake House"

By Tessa Cleary

“Home is where the heart is” is an expression used to portray the feeling that someone acquires in a building but is realistically used to describe the way they interact with the space around them. The house that was constructed in Alejandro Agresti’s The Lake House, is a prime example of how a building can be considered successful architecture but lacks the interconnectivity that a home needs with the dweller. Years ago, people would stay in their home almost the entirety of their life usually due to things like lack financial stability, inability to move or neighboring family ties. Now it seems as though it is very common to move from place to place throughout the span of one’s life. When someone moves around frequently, it makes the house they dwell in less special because of the lack of time spent in that place to create memories and connect with the space and the people who live in it.

2019, Column, Editorial, Essay, Home Media, GUEST EDITORIAL, SPECIALDon ShanahanDecember 12, 2019Comment

GUEST ESSAY: Che’s Transformative Journey without a Motorcycle

By Gabriel Hernandez

An 8,000 km journey across South America from Argentina to Peru will change people's perspective on life, an experience that will change the way one sees injustices around the world. The viewer will get a grasp on the discrimination between the upper-class communities and the indigenous people across Latin America in 1952. The story of Ernesto "Che" Guevara and his friend Alberto Granado's journey through South America was not meant to portray Che Guevara as a hero by any means. I believe it was only meant to recall the trip that molded him through the basis of his memoir. He described himself as a transformed man once the journey was completed from what he saw, whom he had met, and his near-death experiences on the road.

2019, Column, Editorial, EssayDon ShanahanDecember 12, 2019Comment

GUEST ESSAY: Architecture and Animation with "Howl's Moving Castle"

By Terrance Steenman

To be honest, I never thought too heavily about architecture growing up. I imagine most people feel this way their entire lives. Sure, when we were children there were LEGOs or Lincoln Logs (if you were so fortunate as to have those toys), and with those toys one could build a space of imagination, but rarely do people make the connection that the lessons learned can be applied to the masonry, wood, steel or concrete that shape our daily lives. Constantly in the field of architecture, we are told to think back to a time when we did not have architectural eyes, and to instead view architecture from the lens of the ordinary person

2019, Column, Editorial, Essay, Foreign Film, GUEST EDITORIAL, SPECIALDon ShanahanDecember 12, 2019Comment

GUEST ESSAY: Architecture as Character: “The Hateful Eight” Becomes Nine

By Jake Monroe

Architecture and cinema have formed a relationship through film progression thought the 20th and 21st centuries. This relationship has its roots theater extending beyond the silver screen. Often this relationship acts to create setting, to ground the characters and give them an environment to react to and use to their advantage. It is often used strategically by the filmmakers as a tool for conveying what they set out to tell. At times, however, in the film the architecture transcends the role of place and becomes an active participant in the story at hand. It acts and reacts to alter and progress the story. The Hateful Eight, directed by Quentin Tarantino, is a beautiful example of this kind of architecture in film. I will discuss how the cabin in the film transcends set to become an active character and ultimately have a sense of self.

2019, Column, Editorial, Essay, GUEST EDITORIAL, Home Media, SPECIAL, Social MediaDon ShanahanDecember 10, 2019Comment

GUEST ESSAY: California Dreaming in Concrete Forests of Hong Kong in "The Chungking Express"

by Ruohao Yan

Chungking Express, a 1994 movie about romantic and urban life in Hong Kong, depicts the glamour of the metropolitan life and social issues in Hong Kong. The film director, Wong Kar-Wai, describes two love stories between ordinary citizens. In the first romantic story, a police officer, went by the number “223” broke up with his girlfriend on April fool's day, but he was trying to salvage his relationship with her. A month later, he found that his girlfriend had a new love, so chose to give up and went to a bar to forget. He met a female drug dealer in the bar who was betrayed by her boyfriend. The two spent the night together. However, their relationship did not work out. In the second story, a police officer, went by the number “663”, had been in a depression for a long time due to his breakup with his girlfriend. The film not only highlights the beauty of Hong Kong, but also touches upon the dark side of society

Editorial, Essay, Column, 2019, Foreign Film, Independent Film, GUEST EDITORIAL, Social Media, SPECIALDon ShanahanDecember 10, 2019Comment

GUEST ESSAY: The Beginning of ("Her")

By Patrick Marcel Donte Winston

An in-depth analysis of Spike Jonze's 2013 film Her, and its relation to progressing artificial intelligence and architecture. Specifically, I question the need of tech in our society and whether it is a benefit or danger to our societal norms. We see technology quickly becoming more advanced in the past 10 years, but will it become God-like? We see advanced technology as our main source of communication, transportation, living, and more. While being so connected to this tech-driven lifestyle, what if we lost control of technology and can't communicate with it?

Editorial, Essay, Column, Independent Film, Home Media, GUEST EDITORIAL, Social Media, SPECIALDon ShanahanDecember 10, 2019Comment

GUEST ESSAY: The Pursuit in Deconstructing the Dream

By Ezekiel Nelson

In a setting where the ideal suburban life has manifested into its full form, far separate from urban pressures, individual lifestyles and attitudes begin to morph into something distinctively different than that of city living. Settling into a home and life vacant of shops, plazas, markets, and all other services and opportunities the urban fabric has to offer rids one of everyday meaningful experiences. The small section of the suburban world one occupies condenses and poorly simplifies life through a narrow view frame. In such a sterile setting, common distractions are sanitized and eradicated, along with environmental sensory stimulation. This may be beneficial for short periods of time, but environmental stimulation is also necessary for human existence and sense of identity.

2019, Column, Editorial, EssayDon ShanahanDecember 8, 2019Comment

GUEST ESSAY: A Fantastic City of Chocolate

By Asucena Alvarado

In the world, people are producing many films that make our lives more enjoyable, and with each film, we can learn, dream, see the impossible, and believe that anything is possible in life. Even though we know there are some things that are just fantasy, but movies help us to think that everything could happen. A good example of a fantasy story is Charlie and the Chocolate Factory, where we can see that be humble and kind can give you a reward, but in the real world, we know this is not always true. Here, I want to make a deep research about the film and how the capitalization, the utopian vs dystopian and the past vs present are reflected in this movie, and how it is related to architecture.

2019, Column, Editorial, Essay, SPECIAL, Social MediaDon ShanahanDecember 7, 2019Comment

GUEST ESSAY: The Architecture of Hope and Desolation in "Children of Men"

By Jessica Ishizaka

Children of Men poses a future where infertility threatens the human race with extinction. With the death of the youngest person in the world, many extreme groups have risen in order to gain control and take matters into their own hands. Laws are put in place to detain and deport immigrants and to control the citizens of London. The director of the film, Alfonso Cuarón, creates a political atmosphere that is particularly ruthless as he paints the world in a shade of dread and grime. The world and everything in it have been worn down and abused for 20 years, and no one has the ambition to replace or renovate anything since the extinction of the human race is near.

2019, Column, Editorial, Essay, GUEST EDITORIAL, Home Media, SPECIALDon ShanahanDecember 7, 2019Comment

GUEST ESSAY: The impact of modern society and the urban environment on anxiety

by Sheng Chen

In the industrial society of the late 20th century, there was consumerism, nihilism, and end-of-life sentiment in the capital world. By analyzing David Fincher's Fight Club, this article will explore the impact of modern society and the urban environment on people's anxiety.

Column, Editorial, Essay, GUEST EDITORIAL, SPECIALDon ShanahanDecember 6, 2019 Comments

GUEST ESSAY: The Banal and the Sublime

By Cheuk Yiu Chan

The meaning of the sublime according to Edward Hirsch refers to use of language and description that excites thoughts and emotions beyond ordinary experience. Though often associated with scale and grandeur, the sublime may also refer to the grotesque or other extraordinary experiences that take us beyond ourselves. The qualities of the sublime are captured visually and viscerally in the awe inspiring renditions seen in the romantic style of painting and poetry in the 19th century. Romanticism speaks of nature and revels in its uncontrollable, incalculable forces, and at the root of this mode of expression is a deep interest in the human emotional state, and the state of being. There is a case however, such with the film Still Walking, where ideas of the sublime are not expressed through scale and ferocity, but rather paradoxically, through the banal and dormant aspects of everyday life. This paper will attempt to explore the ways in which elements of the banal and the ordinary were used to express the sublime qualities of the non-physical; death, memory, and time.

2019, Column, Editorial, Essay, SPECIALDon ShanahanDecember 6, 2019Comment

GUEST ESSAY: Is Architecture Evolving?

By Hojun Wiitanen

What is architecture? The conceptual misinterpretation of architecture is an “object”. Architecture is not an object and not only a building because buildings are mainly stuff. In my opinion, Architecture is an active connection and a system that initiates a relationship between material spaces and people. Also, it structures that relationship, and it structures what we call the relation between space and organized society. The architecture cannot evolve when people use spaces for the sole use of shelter rather than connecting material spaces and people; therefore, to evolve the architectural value of connecting material space and people, basic human needs should be satisfied. 

2019, Column, Essay, Editorial, Social Media, SPECIALDon ShanahanDecember 6, 2019 Comment