MOVIE REVIEW: Widows

Kicking something flaky and flimsy like Ocean’s 8 to the curb, the Shame and 12 Years a Slave Oscar winner has assembled a dauntless ensemble cast lead by dynamic females. Rooted in the thinly and sinfully fabricated dermal and subcutaneous layers of Chicago, Widows wields an effeminate brawn and sly intelligence working to stoke a masterful slow burn. The film’s bold gravity constricts us wonderfully for one of the most visceral crime films of recent memory and one of the best films of 2018.

2018, 4 STARS, Chicago Film Festival, Film Festival, Independent Film, MOVIE REVIEWDon ShanahanNovember 15, 2018AMC River East 21Comment

MEDIA APPEARANCE: Minisode #55 Minisode podcast guest for "Feelin' Film" to review "A Private War"

A Private War takes Colvin’s words off the page and lets us experience just why her work was so important, making this one of 2018’s most essential films. In this special minisode, Feelin’ Film Aaron White interviews Oscar-nominated and Emmy Award winning director Matthew Heineman about his first narrative feature film, followed by a discussion with yours truly from Every Movie Has a Lesson.

2018, 4 STARS, Independent Film, Media Appearance, Podcast, Social Media, SPECIALDon ShanahanNovember 13, 2018Comment

MOVIE REVIEW: A Private War

The biographical film A Private War is a collection of those slivers, each with increasing sharpness to cut to the core of our moral constitution. Like each year taking its toll on Colvin, A Private War is the kind of movie that wears you down with increasing tension and toll in the effort to move and reforge your empathetic spirit. This is a phenomenal and ferocious lead performance from Rosamund Pike, who deserves the second Oscar nomination of her career for this combination tenacity and honesty.

2018, 4 STARS, ADVANCE MOVIE REVIEW, Chicago Film Festival, MOVIE REVIEWDon ShanahanNovember 13, 2018AMC River East 21Comment

MOVIE REVIEW: Can You Ever Forgive Me?

Can You Ever Forgive Me? is a new cornerstone for Melissa McCarthy. If she can continue this maturation and start trading one or two raunchy romps for introspection and challenge like this, she could become the one of the best American actresses of her generation. Watch out. This might just be the second coming of Robin Williams. Add a “yet” in there somewhere if you must, but the potential is real.

2018, 4 STARS, Independent Film, MOVIE REVIEWDon ShanahanOctober 25, 2018AMC River East 21Comment

MOVIE REVIEW: The Oath

Spinning out of a ridiculous-yet-just-plausible-enough premise, Ike Barinholtz and his fellow comedians light a ticking clock fuse towards a powder keg of social commentary dipped in the incendiary gasoline of partisan politics.The result is an entertaining explosion where every tame “bless your heart” or “agree to disagree” pleasantry shared through gritted teeth becomes replaced with “shut the f — k up” shouts and punches to the face. No matter how wrong all of this is, The Oath is a finger-pointing wake-up we could all use.

2018, 4 STARS, Independent Film, MOVIE REVIEWDon ShanahanOctober 18, 2018Arclight Chicago TheaterComment

MOVIE REVIEW: Blaze

Serenading and soul-bearing for two stout hours, Ethan Hawke’s third directorial effort personifies the quintessential plight of the “starving artist.” Whether they carry a paintbrush or a guitar, these will-they-or-won’t-they tales stir hope and anticipation as nearly irresistible cinematic story material. Real or fictitious, we want to see the Vincent van Goghs, Llewyn Davises, and Blaze Foleys find success. Greater than rooting for an ending of stardom, there is whimsical power to be found in simply reaching emotional fulfillment.

2018, 4 STARS, ADVANCE MOVIE REVIEW, Film Festival, Independent Film, MOVIE REVIEW, Video on DemandDon ShanahanSeptember 23, 2018Comment

MOVIE REVIEW: Mandy

The zany bi-product of Cage’s addictive self-indulgence is that we get to see a committed and endowed artist apply his craft in nontraditional places, which is a nice way of saying lesser and lower-budgeted films. The challenge then isn’t on Cage, who is often better than the material he’s given. It’s whether the film can rise to meet his fury and tenacity as a performer. He brings it. Can the film do the same?

2018, 4 STARS, Independent Film, MOVIE REVIEW, Social Media, Video on DemandDon ShanahanSeptember 18, 2018Music Box TheatreComment

MOVIE REVIEW: We the Animals

The phrase “they’re just kids” shouldn’t be the verbalization of a dismissal. Rather, it should be spoken as a moment of pause to reflect on what future positive or negative impact could come from the lifestyle choice being observed. We the Animals, the feature debut of short film director Jeremiah Zagar, lives for those errors and pauses as one of the best independent films of the year.

2018, 4 STARS, Chicago Film Festival, Independent Film, MOVIE REVIEW, Video on DemandDon ShanahanSeptember 4, 2018Music Box TheatreComment

MOVIE REVIEW: Pickings

Watching the death-dealing retribution and grudge-settling on display definitely shows the dishonesty part, but you will find nothing easy enough to be called “pickings.” Oozing all kinds of artistic flamboyance and crimson damage, this film is a straight punch to the face that has to swing hard to to knock you out. Like any punch, the hand delivering it stings as much as the cheek that receiving it. Sure enough, Pickings is a punch you’ll take and ask for another.

2018, 4 STARS, Independent Film, MOVIE REVIEW, Video on DemandDon ShanahanAugust 9, 2018 Comments

MOVIE REVIEW: BlacKkKlansman

The slogan of Spike Lee’s long-time production company 40 Acres and a Mule Filmwork is “by any means necessary,” a tagline that could not be more fitting of the urgency and purpose of Spike’s works. Nothing he puts his effort into ends up empty or meaningless. His lightning rod flair singes silver screens again with Cannes Film Festival Grand Prix prize winner BlacKkKlansman, stoking a p

2018, 4 STARS, ADVANCE MOVIE REVIEW, Film Festival, Independent Film, MOVIE REVIEWDon ShanahanAugust 7, 2018AMC River East 21Comment

MOVIE REVIEW: The Captain

Writer-director Robert Schwentke has boldly moved away from schlock (R.I.P.D., RED) and softness (The Time Traveler’s Wife) for something visceral and chillingly raw. As Herold shows no quarter, neither does Schwentke and this film’s penchant for discomfort. The events portrayed are so imprudently berserk that it borders on unbelievable farce, despite its cited historical inspiration of the man who performed these acts before he was even 21 years old.

2017, 2018, 4 STARS, Foreign Film, Independent Film, MOVIE REVIEWDon ShanahanAugust 3, 2018Music Box TheatreComment

FANTASIA 2018 REVIEW: The Man Who Killed Hitler and Then The Bigfoot

You will color yourself impressed by the unexpected power of this independent to subvert expectations with such cunning dexterity. No matter if it’s zero budget devil-may-care freedom or a nine-figure open blockbuster checkbook, few movies on any level could ever dream a way this damn good to marry and blend stoic manliness and a whimsical romance on top of the lurid exploits its title advertises. The Man Who Killed Hitler and Then The Bigfoot punches with pulp and grinds gravitas rather than gore.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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