Posts in 2019
GUEST ESSAY: Architecture and Animation with "Howl's Moving Castle"

By Terrance Steenman

To be honest, I never thought too heavily about architecture growing up. I imagine most people feel this way their entire lives. Sure, when we were children there were LEGOs or Lincoln Logs (if you were so fortunate as to have those toys), and with those toys one could build a space of imagination, but rarely do people make the connection that the lessons learned can be applied to the masonry, wood, steel or concrete that shape our daily lives. Constantly in the field of architecture, we are told to think back to a time when we did not have architectural eyes, and to instead view architecture from the lens of the ordinary person

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MOVIE REVIEW: 1917

Kinetically engineered to simulate real-time, 1917 moves with a propulsive momentum like no other film of 2019 and no other combat flick of recent memory. Its velocity matches the unyielding pull of war itself. That compelling force defines a soldier’s moral sense of duty and keeps a man watching, trekking, running, fighting, and downright surviving. 1917 is all about that pull and concentrates its adrenaline into a relentless experience that will strafe your senses, from the hairs on the back of your neck to the fidgeting nerves that bounce your toes.

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GUEST ESSAY: Architecture as Character: “The Hateful Eight” Becomes Nine

By Jake Monroe

Architecture and cinema have formed a relationship through film progression thought the 20th and 21st centuries. This relationship has its roots theater extending beyond the silver screen. Often this relationship acts to create setting, to ground the characters and give them an environment to react to and use to their advantage. It is often used strategically by the filmmakers as a tool for conveying what they set out to tell. At times, however, in the film the architecture transcends the role of place and becomes an active participant in the story at hand. It acts and reacts to alter and progress the story. The Hateful Eight, directed by Quentin Tarantino, is a beautiful example of this kind of architecture in film. I will discuss how the cabin in the film transcends set to become an active character and ultimately have a sense of self.

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GUEST ESSAY: California Dreaming in Concrete Forests of Hong Kong in "The Chungking Express"

by Ruohao Yan

Chungking Express, a 1994 movie about romantic and urban life in Hong Kong, depicts the glamour of the metropolitan life and social issues in Hong Kong. The film director, Wong Kar-Wai, describes two love stories between ordinary citizens. In the first romantic story, a police officer, went by the number “223” broke up with his girlfriend on April fool's day, but he was trying to salvage his relationship with her. A month later, he found that his girlfriend had a new love, so chose to give up and went to a bar to forget. He met a female drug dealer in the bar who was betrayed by her boyfriend. The two spent the night together. However, their relationship did not work out. In the second story, a police officer, went by the number “663”, had been in a depression for a long time due to his breakup with his girlfriend. The film not only highlights the beauty of Hong Kong, but also touches upon the dark side of society

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GUEST ESSAY: The Pursuit in Deconstructing the Dream

By Ezekiel Nelson

In a setting where the ideal suburban life has manifested into its full form, far separate from urban pressures, individual lifestyles and attitudes begin to morph into something distinctively different than that of city living. Settling into a home and life vacant of shops, plazas, markets, and all other services and opportunities the urban fabric has to offer rids one of everyday meaningful experiences. The small section of the suburban world one occupies condenses and poorly simplifies life through a narrow view frame. In such a sterile setting, common distractions are sanitized and eradicated, along with environmental sensory stimulation. This may be beneficial for short periods of time, but environmental stimulation is also necessary for human existence and sense of identity.

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GUEST ESSAY: A Fantastic City of Chocolate

By Asucena Alvarado

In the world, people are producing many films that make our lives more enjoyable, and with each film, we can learn, dream, see the impossible, and believe that anything is possible in life. Even though we know there are some things that are just fantasy, but movies help us to think that everything could happen. A good example of a fantasy story is Charlie and the Chocolate Factory, where we can see that be humble and kind can give you a reward, but in the real world, we know this is not always true. Here, I want to make a deep research about the film and how the capitalization, the utopian vs dystopian and the past vs present are reflected in this movie, and how it is related to architecture. 

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GUEST ESSAY: The Architecture of Hope and Desolation in "Children of Men"

By Jessica Ishizaka

Children of Men poses a future where infertility threatens the human race with extinction.  With the death of the youngest person in the world, many extreme groups have risen in order to gain control and take matters into their own hands.  Laws are put in place to detain and deport immigrants and to control the citizens of London. The director of the film, Alfonso Cuarón, creates a political atmosphere that is particularly ruthless as he paints the world in a shade of dread and grime.  The world and everything in it have been worn down and abused for 20 years, and no one has the ambition to replace or renovate anything since the extinction of the human race is near. 

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GUEST ESSAY: The Banal and the Sublime

By Cheuk Yiu Chan

The meaning of the sublime according to Edward Hirsch refers to use of language and description that excites thoughts and emotions beyond ordinary experience. Though often associated with scale and grandeur, the sublime may also refer to the grotesque or other extraordinary experiences that take us beyond ourselves. The qualities  of the sublime are captured visually and viscerally in the awe inspiring renditions seen in the romantic style of painting and poetry in the 19th century. Romanticism speaks of nature and revels in its uncontrollable, incalculable forces, and at the root of this mode of expression is a deep interest in the human emotional state, and the state of being. There is a case however, such with the film Still Walking, where ideas of the sublime are not expressed through scale and ferocity, but rather paradoxically, through the banal and dormant aspects of everyday life. This paper will attempt to explore the ways in which elements of the banal and the ordinary were used to express the sublime qualities of the non-physical; death, memory, and time.  

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GUEST ESSAY: Is Architecture Evolving?

By Hojun Wiitanen

What is architecture? The conceptual misinterpretation of architecture is an “object”. Architecture is not an object and not only a building because buildings are mainly stuff. In my opinion, Architecture is an active connection and a system that initiates a relationship between material spaces and people. Also, it structures that relationship, and it structures what we call the relation between space and organized society. The architecture cannot evolve when people use spaces for the sole use of shelter rather than connecting material spaces and people; therefore, to evolve the architectural value of connecting material space and people, basic human needs should be satisfied. 

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GUEST ESSAY: Architecture is Only Temporary

By Nick Tarver

Produced by Pixar Animation Studios, the movie Up highlights the life of Carl Fredricksen, an elderly, recently widowed man. Along the way, Fredricksen meets two unlikely companions that would accompany him during his journey to fulfill his promise that he made to his late wife, Ellie. Aside from the feel-good storyline, the film offers an architectural aspect that explores the human connection to the built environment. Fredricksen has a hard time coming to terms with the death of his wife and it seems like everything he is surrounded by reminds him of her. Fredricksen, with the help of his two new friends, Russell and Dug, decides the only way he would fulfill his and his wife’s dream of seeing the ins-and-outs of South America would be to take his house, which ultimately symbolizes Ellie, with him. UP demonstrates the idea of place and how the built environment has the ability to emotionally and spiritually resonate with an individual, ultimately resulting in equally positive and negative impacts on both a personal and societal level. 

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GUEST EDITORIAL: Hidden secrets in your favorite movies

There are many details in our favorite films that you can only notice when you watch them carefully. For example, in The Lord of the Rings, Gandalf wears together the 2 most significant items in his life - the staff and the pipe. In this article you will find 15 more of the same interesting facts about cult films. The fine folks at King Billy simply love movies and share this love with you.

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EDITORIAL: This is How Movies Can Act As an Effective Educational Tool

It seems as if just a few decades ago, students could only dream about using technology in the classroom. Now, dreams have become a reality. By drifting away from the orthodox and traditional teaching methods, educators are actually to improve the learning experience for the students. One of the best and easily accessible ways of implementing technology in education is by using movies. As time goes on, more and more professionals actually start to support the idea of educating by using movies. Of course, there are some benefits and disadvantages to using technology in a learning process, but let’s go over the basics for now. How is it possible for movies to be educational?

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