By Cheuk Yiu Chan
The meaning of the sublime according to Edward Hirsch refers to use of language and description that excites thoughts and emotions beyond ordinary experience. Though often associated with scale and grandeur, the sublime may also refer to the grotesque or other extraordinary experiences that take us beyond ourselves. The qualities of the sublime are captured visually and viscerally in the awe inspiring renditions seen in the romantic style of painting and poetry in the 19th century. Romanticism speaks of nature and revels in its uncontrollable, incalculable forces, and at the root of this mode of expression is a deep interest in the human emotional state, and the state of being. There is a case however, such with the film Still Walking, where ideas of the sublime are not expressed through scale and ferocity, but rather paradoxically, through the banal and dormant aspects of everyday life. This paper will attempt to explore the ways in which elements of the banal and the ordinary were used to express the sublime qualities of the non-physical; death, memory, and time.
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