The thing is embellishment couldn’t be more appropriate to venture into the storied origins of a high-concept sketch comedy show. The bawdy and rowdy new film Saturday Night is a fish story version of festooned truths. The stuff of nostalgic backstage lore made with embellishment then is retold in a loosey-goosey “based on a true story” fashion with its own embellishment now. When executed with flair, a good fish story that gets stranger and more exaggerated as it unfolds–and, hot damn, does this one ever do that–can engage and entertain.
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