Chasing the Blues is a dark comedy through and through. Director Scott Smith and his co-writer Kevin Guifoile crafted an engaging yarn of hijinks and hilarity. Their narrative might feel like something out of a Coen brothers rough draft, but this film sides with a far less gonzo approach that suits its shrewder stature. Like the musical genre at its core, patient storytelling is at the forefront. Could it use a stiffer punch or two? Maybe, but then it wouldn’t be the blue and not everything has to be shock cinema. Waiting for the payoff in this tidy 77-minute film is an easy and worthwhile short hike to climb.

2017, 3 STARS, ADVANCE MOVIE REVIEW, Chicago Film Festival, Film Festival, Independent Film, MOVIE REVIEW, Video on DemandDon ShanahanOctober 18, 201753rd Chicago International Film Festival2017, U.S. Indies, Chicago International Film Festival, 53rd Chicago International Film Festival, CIFF, CIFCC, independent films, independent film, Chasing the Blues, Scott Smith, Jimmie Kane Baldwin, Cicero Records, Chicago, Chicago films, The Royal Tenenbaums, Grant Rosenmeyer, Chelsea Tavares, Anna Maria Horsford, Amen, Ronald L. Conner, Kevin Guilfoile, blues, blues music, movie review, film review, festival preview, film festival, Festival coverage, Festival review, movie commentary, film commentary, music, movie critic, film critic, AMC River East 21, press credentials, life lessons, life lessons from movies, life lessons from film, life lessons from films, Every Movie Has a Lesson, Donald Shanahan, Don ShanahanComment

MOVIE REVIEW: Marshall

Can you learn about a popular band by listening to their B-sides instead of their greatest hits? Can you get a sense of the brilliance within a writer from their early drafts and not their published masterpieces? Can you spot the traits of a future Hall of Fame sports legend solely by their work in college or the minor leagues before the professional ranks? The answer to each is quite likely the same: sometimes, but not always. Tally one in the sometimes column for Reginald Hudlin’s Marshall and its biographical podium choice.

4 STARS, 2017, Chicago Film Festival, Film Festival, MOVIE REVIEWDon ShanahanOctober 12, 201753rd Chicago International Film Festival53rd Chicago International Film Festival, Chicago International Film Festival, CIFF, CIFCC, #StandUpForSomething, Marshall, Biopics, Biographical films, lawfare, NAACP, Reginald Hudlin, Hidden Figures, Serving Sara, Boomerang, dramatic license, drama, legal drama, courtroom drama, Supreme Court, U.S. Supreme Court, E-Man's Movie Reviews, Eman, Eman's Movie Reviews, Emmanuel Noisette, Chadwick Boseman, Black Panther, Mr. Biopic, Joseph Spell, State of Connecticut vs. Joseph Spell, White Savior, white savior, Josh Gad, Dan Stevens, James Cromwell, Sam Friedman, Sterling K. Brown, 42, Get On Up, Kate Hudson, Opening Night Film, Opening Night Gala, Brown vs. Board of EducationComment

MOVIE REVIEW: Lucky

In each winsome second, Lucky continuously unearths affecting ways of making cantankerous endearing. With grizzled resolve and humor as dry as the desert he walks in, the late Harry Dean Stanton personifies the charm culled from the crotchety put on display in John Carroll Lynch’s straight-shooting film. Far from any Grumpy Old Men folly and possessing a hidden heart twice the size of Alexander Payne’s Nebraska, meet a lovable unlovable asshole that flourishes to galvanize unexpected wholesomeness from the prickliest of cacti.

2017, 5 STARS, ADVANCE MOVIE REVIEW, Chicago Film Festival, Film Festival, Independent Film, MOVIE REVIEWDon ShanahanOctober 6, 2017Music Box TheatreComment

MOVIE REVIEW: The Young Offenders

The banter and B.S. traded back and forth between Alex Murphy and Chris Walley is as hysterical as it is pleasurably uncouth. It’s an absolute wonder to realize that The Young Offenders is mutually their first on-camera film roles. Alex and Chris’s chemistry through sarcasm and shared shenanigans feels and looks effortless. Flabbergasted energy blasts out of both of them and it’s a hoot to watch. Seeing the two young actors operate these over-the-top losers with reckless abandon while still injecting a little coming-of-age heart for good measure, makes the film highly entertaining.

2017, 2016, 3 STARS, Chicago Film Festival, Foreign Film, Film Festival, Independent Film, MOVIE REVIEWDon ShanahanOctober 3, 2017Gene Siskel Film Center2017, The Young Offenders, Children's Act of 2001, Urban Dictionary, Knacker, Alex Murphy, Chris Walley, hijinks, Dominic MacHale, Shane Casey, Hilary Rose, Trainspotting, Danny Boyle, Conor MacSweeney, Jock Murphy, Euro, Peter Foott, Irish, Ireland, Ireland films, films set in Ireland, Irish American Movie Hooley, Irish films, Irish-themed films, Irish American films, 2 Gingers Irish Whiskey, Hibernian Transmedia, Movie Hooley, Gene Siskel Film Center, Siskel Film Center, Mike Houlihan, CIFCC, Chicago Independent Film Critics Circle, 3rd annual Irish American Movie Hooley, movie critic, film critic, foreign film, independent film, independent films, heist films, coming of age, movie review, film review, movie commentary, film commentary, Festival coverage, festival preview, closing night, comedy, life lessons, life lessons from film, life lessons from movies, life lessons from films, life lessons from foreign films, Don Shanahan, Donald Shanahan, Every Movie Has a LessonComment

MOVIE REVIEW: Emerald City

I know it’s the clickbait haven of Buzzfeed, but this list of jobs well-known celebrities had before they hit it big is pretty humbling and eye-opening at the same time. Once the millions roll in and we see the red carpets and flash bulbs, we forget the lucky breaks and hard work it took to get there, and that for every one of those matinee idols a thousand never make it. Upon seeing Emerald City at the 3rd annual Irish American Movie Hooley, I’ll gladly raise my glass in hopes that Colin Broderick’s minimum wage days are over.

2017, 2016, 4 STARS, Chicago Film Festival, Film Festival, Independent FilmDon ShanahanOctober 3, 2017Gene Siskel Film CenterColin Broderick, Emerald City, Buzzfeed, Irish American films, Irish American Movie Hooley, Irish, Irish-themed films, Irish films, 2017 Irish American Movie Hooley, 2 Gingers Irish Whiskey, Gene Siskel Film Center, Siskel Film Center, John Keating, Boardwalk Empire, John McConnell, The Departed, John Duddy, Hands of Stone, Rachel Broderick, Jacqueline Kealy, independent films, independent film, foreign film, foreign films, CIFCC, movie critic, film critic, Movie Hooley, 3rd annual Irish American Movie Hooley, Mike Houlihan, film reivew, film review, movie review, film commentary, movie commentary, life lessons, life lessons from films, life lessons from movies, life lessons from film, hardscrabble, New York City, Donald Shanahan, Don Shanahan, Every Movie Has a Lesson, Hibernian TransmediaComment

MOVIE REVIEW: The Dunning Man

Inspired by true events, which will cause a fun double take as the film transpires, The Dunning Man is adapted from the published short stories of producer Kevin Fortuna. Precariously, at times, balancing somewhere between an urban drama and paperback crime novel, the film presents a seedy slice of Atlantic City calmed by nostalgic scene transitions of vintage footage of the city in its decadent heyday.

2017, 3 STARS, Chicago Film Festival, Independent Film, MOVIE REVIEW, Social MediaDon ShanahanSeptember 28, 2017Gene Siskel Film Center2016, 2017, The Dunning Man, Irish, Irish films, Irish-themed films, Irish American films, Irish American Movie Hooley, 2017 Irish American Movie Hooley, 3rd annual Irish American Movie Hooley, Ireland, Ireland films, 2 Gingers Irish Whiskey, Hibernian Transmedia, Movie Hooley, Gene Siskel Film Center, Siskel Film Center, Opening Night Film, Mike Houlihan, Atlantic City, Dun, James Carpinello, Gotham, Tom Kemp, Manchester by the Sea, Luke Cage, Queen Sugar, Green Zone, Nicoye Banks, Langston Fishburne, Dawn-Lyen Gardner, Matthew Rimmer, Scott Oakley, Kevin Fortuna, Michael Clayton, Petr Cikhart, San Jose Film Festival, Hoboken Film Festival, Emerald Loop Bar, film review, movie review, film commentary, movie commentary, film critic, movie critic, CIFCC, Chicago Independent Film Critics Circle, life lessons, life lessons from film, life lessons from films, life lessons from movies, Donald Shanahan, Don Shanahan, Every Movie Has a LessonComment

MOVIE REVIEW: Menashe

Weinstein writes and directs what constitutes as a love letter to a culture, a community, and to the essence of fatherhood. The lead’s personal plight is a compelling one done with grace and admiration for attaching the right layer of empathy. It’s not overly heavy in any particular way, but Menashe carries enough honesty, enough will, and enough power to break any father’s heart. There’s strength to be found in that.

Chicago Film Festival, Film Festival, Independent Film, 2017, 3 STARS, MOVIE REVIEWDon ShanahanAugust 3, 2017foreign langugage film, Yiddish, Festival coverage, podcasting, Podcast, fathers, CIFCC, Menashe Lustig, Feelin' Film Podcast, Borough Park, Don Shanahan, podcast, Torah, film festival, life lessons, Sundance Film Festival, movie fathers, A24, Mr. Mom, podcast guest, 5th Chicago Critics Film Festival, 2017, Brooklyn, Every Movie Has a Lesson, 2017 Sundance Film Festival, Donald Shanahan, podcast discussion, film fathers, movie dads, Hasidic Jews, Ruben Niborski, film dads, A24 Films, Menashe, Yoel Weisshaus, life lessons from movies, Feelin' Film, life lessons from film, Meyer Schwartz, films about fatherhood, life lessons from foreign films, Festival review, fathers in film, CFCA, independent film, Joshua Z. Weinstein, movies about fatherhood, Chicago Critics Film FestivalComment

DOCUMENTARY REVIEW: Score: A Film Music Documentary

This writer is an unabashed film music lover. I owned more film score CDs than ones of popular music back in the day and that ratio hasn’t changed with digital media. Hell, I wrote a long-form editorial three years ago proclaiming film music as an improvement of the Mozart Effect for babies and children which led to a playlist afterwards that I still use to this day. I am a mark for what Score: A Film Music Documentary was selling and many of the names and talents featured in the film are found on that personal playlist.

2017, 4 STARS, Chicago Film Festival, DOCUMENTARY REVIEW, Film Festival, MOVIE REVIEW, Video on DemandDon ShanahanJune 15, 2017Music Box Theatre2017, documentary review, Documentary filmmaking, documentary, documentary commentary, Score: A Film Music Documentary, Score, Matt Schrader, Hans Zimmer, Trent Reznor, Atticus Ross, Nine Inch Nails, Danny Elfman, James Horner, Alfred Newman, Bernard Herrmann, Jerry Goldsmith, John Williams, A Streetcar Named Desire, Max Steiner, King Kong, Charlie Chaplin, James Cameron, David Arnold, James Bond theme, James Bond films, Heitor Pereira, Despicable Me 2, Despicable Me, Smurfs, The Smurfs, Marco Beltrami, 3:10 to Yuma, Brian Tyler, Marvel Films, Marvel Cinematic Universe, John Debney, The Passion of the Christ, Leonard Maltin, John Burlingame, Mozart Effect, Ultimate Playlist of Movie Music Lullabies, film music, Film music, film scores, movie scores, Movie music, Chicago Critics Film Festival, 5th Chicago Critics Film Festival, life lessons, life lessons from film, life lessons from documentaries, film review, movie review, film commentary, movie commentary, Every Movie Has a Lesson, Don Shanahan, Donald Shanahan, 2017 Summer MoviesComment

MOVIE REVIEW: I, Daniel Blake

I, Daniel Blake is unabashedly a “bleeding heart” film on literal and figurative levels. If this was a Hollywood film, it would be overrun with shouted speeches and orchestrational swells trying to manufacture emotional peaks. Fluff like that is unnecessary if you have the right poetic realism, For Loach, that’s second hand and he picks the right soapbox placement and thickness.

CAPSULE REVIEWS: Short films of the 5th Chicago Critics Film Festival

Over 40 feature-length and short films, many of which making their Chicago premieres, graced the main screen of the Music Box Theatre this past week-and-change as part of the fifth annual Chicago Critics Film Festival. It was an honor and pleasure to be be granted press credentials to cover the event. Here are my collected capsule reviews of the short film programs.

2017, ADVANCE MOVIE REVIEW, CAPSULE REVIEW, Chicago Film Festival, Film Festival, Independent Film, MOVIE REVIEW, Social Media, SHORT FILMS, Video on DemandDon ShanahanMay 21, 2017Music Box Theatre2017, 5th Chicago Critics Film Festival, CCFF, Chicago Film Critics Association, CFCA, CIFCC, Collin Souter, The Dundee Project, Kaiju Bunraku, Drawn and Recorded, Drawn and Recorded: Teen Spirit, Teen Spirit, T-Bone Burnett, Nirvana, Bunraku Bay Puppet Theater, Mark Borchardt, Bill Benson, UFO Daze, Fry Day, Ted Bundy, Jordyn DiNatale, Tough, Chinese, Kieran Culkin, Mae Whitman, Approaching a Breakthrough, Hell You Talmbout, Janelle Monae, Civil Rights Movement, Northwest Tap Connection, Shakiah Danielson, Ten Meter Tower, short film, short films, short film review, Short films, short film commentary, Kurt Cobain, Kathleen Hanna, Bikini Kill, Smells Like Teen Spirit Comment

MOVIE REVIEW: The Blackcoat's Daughter

Being “in the dark” is a savory place to be for a film like this. Keenly and decisively, “The Blackcoat’s Daughter” carries a nearly strict reliance on suggestion and atmosphere over exploitation. For that, Perkins and company get it and do not need a “throwback” label to prove it. They know that our mental guessing is always more frightening than showing every little thing.

SHORT FILM REVIEW: The Debt

2017 Chicago Irish Film Festival: Short Program II

Kids not only say the darndest things, but do the darndest things too. “The Debt” is a highly charming short film illustrating a child’s view of courtship and love. The romantic ways of the world are foreign to the young, so they make up their own ideas. Engaging and well-acted by youth performers, this short film will charm you to pieces.